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paint a puppy dog. I made this video for beginner to intermediate level artists, who wish to
learn about traditional painting....While I can imagine that painting a realistic looking
puppy is intimidating for someone new to art, I will try to make my instruction as clear
as possible, so that you can get in to great habits for the future. Once you are in good
habits, you will progress very quickly.
I split this lesson in to four parts.
1.) Part one will cover what you need to know before you paint.
2.) Part two will give you an effective strategy for painting realistically The mentality of
rendering (aka drawing what you see) 3.) Part three will walk you through the process
of painting and I will give you tips while I paint. The process of "sculpting" a painting
4.) Part four will actually be a separate video and it will discuss glazing...a great
finishing strategy. Glazing: Finishing a painting (Covered in another video)
I am going to try to make this as easy and painless as possible. Grab your paintbrushes!
Here we go!
Part 1.) I have two points to go over in Part 1-
1-1- First, pick a surface to work on. When I was learning painting, I would use cardboard
in place of canvas to save money. Ten years later my original oil paintings are still
in good shape. However, this would not be the case if I didn't prime the cardboard with
layers of Gesso. Without getting over technical, gesso gives your surface a protective layer
that will prevent the oil from being over absorbed. Try to remember this silly saying,
"Paint with cream, not with butter or milk!" No, im not saying that you should break out
the dairy prodicts.....I am referring to the consistency of the paint. Cream is not a solid
like butter .....and is not watery like milk. When you apply paint to a surface it should
be creamy in texture. You can make the paint creamy by adding about three to four drops
of painting medium to the paint that is sitting on your palette. The object in my hand right
now is called a palette knife. I used it to mix the paint with the painting medium. For
a long time, I considered this step trivial, but it makes a difference!
1-2 Oil Painters use mineral spirits to clean off their brushes and to thin out a paint
mixture. Mineral Spirits is also known commercially as paint thinner and sold as an art supply
called turpenoid for quadruple the price. You will only need a SMALL amount of Mineral
Spirits because its very powerful. Use it sparingly when you wish to thin out your paint;
because too much will make the paint runny and "milk-like" in consistency. Here is a
great tip to remember when cleaning your brushes.....WIPE-DIP-WIPE. As silly as that sounds, commit it to memory....In
other words..... wipe your brush with a paper towel.....Then dip it in to the mineral spirits
and swish it around....followed by another wipe with the paper towel to take the extra
spirits off your brush. The last wipe is especially important to prevent the excess mineral spirits
from thinning out your paint too much
Part 2
Now you will learn a great strategy to help you paint what you see. I call this strategy,
"jigsaw puzzle observation" because it is similar to putting a jigsaw puzzle together.
Jigsaw puzzles are fun because you fit shapes together to create an image.........I want
you to think the same way when you paint. Try to see and identify shapes and then put
them together like a puzzle. Painters sculpt and manipulate the paint on the surface of
a painting until the shapes fit together as a recognizable image. Here....let me show
you what I mean.....When you try this, I recommend that you get in the habit of looking at your
reference image at least once for every five seconds; and then paint what you observed.
After you get the bigger shapes in.....work your way down to the smaller shapes........
If you feel that you cant work the paint any more. Let it dry and repeat this step on top
of the dried paint. You have an advantage by using paint because it is opaque and it
can cover over any mistake...... Take your time with this step. Skyscrapers cant be erected
without solid supports and good paintings cannot be made without careful placement.
Notice that I am using a medium sized brush.
Part three - I will upload a slower extended version.
- Supply List- put one in the video description. - I only used five colors
- SCULPTING PAINT - Once shapes are set.....it is time to sculpt
the paint. - I did this all in one sitting and it took
me about an hour - Different types of brushes
- Different brush softnesses - You can start over at any time
Supply List - Titanium White (paint)
- Raw Sienna (paint) - Ultramarine Blue (paint)
- Ultramarine Purple (paint) - Lamp Black (paint)
- Painting Medium (my favorite is called Liquin) - Palette, Wax Paper or Aluminum foil (to
mix the paint on) - Mineral Spirits
- Canvas or Cardboard - Gesso (white or clear)
- Paint Brushes (several sizes, tips, and softnesses......based on your preference)
- Cups for Mineral Spirits and Paint Medium - Reference photo of a cute doggie
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